Email: [email protected]
Stephanie has worked in digital marketing and web development for almost 20 years, running campaigns in Ireland for Arnott’s, Bank of Ireland, Failte Ireland, Vodafone, and many more. In Ireland, Stephanie worked for Mindshare (Group M), iProspect (Carat), and OMD as well as running The Alignment Collective serving clients in the UK, US, Australia and across the EU.
Born and raised in San Francisco, Stephanie is also an international theatre director and instructor. She was the Artistic Director of Fortune’s Fool Productions, known for Free Shakespeare in the Iveagh Gardens, and she taught movement and theatre history at The Gaiety School of Acting.
Filipe was born in 1978 in Lisbon where he studied ballet at the National Conservatory of Portugal.
After finishing his studies he was invited by the director Jorge Salavisa to join the National Ballet of Portugal as a member of the Corps de Ballet. After six years, he left the company as a soloist to join the Ballett Zürich under the direction of Heinz Spoerli where he had danced for seven years. He left Ballett Zürich as a principal dancer to return to Portugal with the same category but his stay was only for a short period of time. A year and a half later he returned to Zürich where he danced as a principal dancer under the direction of Christian Spuck.
Filipe made his debut as a choreographer in Portugal for a choreographic workshop with the piece Anfractus (2001), which was chosen to become part of the company’s repertoire. After that he has choreographed Alleged Dances (2007) for the Junior Ballet Zürich, Road B (2007) for Zürich Ballett and Sonata (2008) again for the Junior Ballet, all under the direction of Heinz Spoerli.
Under the direction of Christian Spuck, he created for the Young Choreographers a piece called Silk Road (2013) and was asked to create a duet for the Sylvester Gala 2013, Liebestod. The year after he created another piece for the Young Choreographers Different Trains (2014) and was invited to create for the Junior Ballet Zürich, Tauwetter (2014). Shortly after this, he made his first creation for Ballet Zürich under Spuck’s direction, called Diaologos.
Filipe also created Masqueradein 2015 for the Zürich Opera Ballet and two pieces for the Dance Academy Zurich (TAZ) under the direction of Oliver Mats and Steffi Scherzer: Uncontrolled (2015) and Piazzola (2015). In 2017 he created a duet for the Junior Ballet Zürich Behind the Mirror and for Ballett Zürich disTANZ.
2018 was the year of his North American debut with Stepping Over which he created for Charlotte Ballet. He also created Heavy Lightness for the evening of Noverre-Young Choreographers 2018 at the Stuttgart Ballet, O não efémero for young Portuguese talents and Echo of Elements for Junior Ballet Zürich. In 2023, Filipe created All That Remains for Ballet Ireland.
In 2024, Filipe became the Artistic Director of Tanz und Kunst Königsfelden in Baden, Switzerland.
Morgann trained at the Central School of Ballet and the London Contemporary Dance School. She was awarded the Dance East Rural Retreat Award for Future Dance Leaders during the 2016/2017 season.
The Netherlands-based choreographer now works across dance, theatre, film, and opera. Her works include Averno with Stuttgart Ballet, Hotel with Birmingham Royal Ballet, Kingdom of Back with Northern Ballet, Romeo & Juliet, Carmen, and Nutcracker Sweeties with Ballet Ireland, Wolf at Graz Opera and Alberta Ballet, Coppélia and Tremble for Scottish Ballet, Give My Love to the Sunrise for English National Ballet, and Barbara for Ballet du Capitole.
As a choreographer for opera and theatre, Morgann has worked with directors such as Jaz Woodcock-Stewart (Civilisation), Sam Brown (The Barber of Seville at Welsh National Opera), and Jeff James (Persuasion at the Royal Exchange). She was also assistant choreographer to Annie B. Parsons for the musical Lazarus by Enda Walsh and David Bowie, directed by Ivo Van Hove.
Alongside Jessica Wright, Morgann Runacre-Temple directed Scottish Ballet’s first feature film, The Secret Theatre, which won Best Dance Film at the Critics’ Circle National Dance Awards in 2021. Their collective, Jess & Morgs, was nominated by the Critics’ Circle at the 2021 National Dance Awards for Outstanding Creative Contribution.
Their production of Coppélia for Scottish Ballet won Best Classical Choreography at the 2023 Critics’ Circle National Dance Awards, the 2023 UK Theatre Awards for Achievement in Dance, and was nominated for Best Dance Production at the 2023 Sky Arts South Bank Awards.
Jessica and Morgann created Arena for the Paris Opera Ballet in March 2026. Their next work, Prey, will premiere with the Dutch National Ballet in 2027.
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Ludovic was born in Perpignan, France. He trained in Marseille Studio Ballet Colette Armand and two years later won a scholarship in the 2001 Prix de Lausanne to study at The Royal Ballet Upper School. Other awards included a Silver Medal at the 2000 Concours International de Danse, Paris, and a Gold Medal at the Roseta Mauri Competition in 2002. In his graduation year he performed the lead in Wheeldon’s Le Voyage and a Principal couple in Concerto at the School’s annual matinee.
He went on to join the Royal Ballet and his repertory included Bronze Idol (La Bayadère), Hans-Peter/Nutcracker (The Nutcracker), Tom Thumb (Tales of Beatrix Potter), Alain (La Fille Mal Gardée), Kolia (A Month in the Country) and Puck (The Dream). He created roles in Children of Adam, Chroma and ‘Trespass’ (Metamorphosis: Titian 2012), and various other creations by Wayne McGregor, Liam Scarlet and Christopher Weeldon.
His choreography regularly features in The Royal Ballet’s Draft Works, Young Choreographer’s evening, and across several galas around Europe. Ludovic created Dopamine (you make my levels go silly) for the 2013 Ballet Black season and Berlin for ‘Men in Motion’. Since leaving the Royal Ballet in October 2014, Ludovic created and directed his first full-length work Cassandra which opened at the ROH Linbury Theatre. He has choreographed 4 times 4 for the Gandini Company which opened in November 2014 at the Royal Opera House as part of the London Mime Festival.
In 2015 he created Lost for Ballet Ireland. He then created The Memories of Francesca Woodman for the Northern Ballet Choreographic lab and in March 2016, Ludovic created Sliver of Sky for Amnesty International which was performed at Sadlers Wells, London. More recently, Ludovic has choreographed for various commercials, including a collaboration with Jordan Scott / RSA films.
Ludovic created a new Virtual Reality project in collaboration with DJ Seth Troxler and film director Ryan Hope, and a new work commissioned by Makeshift company, Insomniac’s Fable which premiered in Helsinki in 2018.
Ludovic created Giselle for Ballet Ireland in 2017.
There are currently no upcoming auditions scheduled. Please check back here for updates on future opportunities, or consider following us on Instagram or Facebook.
Access to company class is limited and available by request only.
For further information, please email [email protected] with your CV and video materials.
